Analysis Of The Movie The Babadook - 861 Words

The Babadook is a haunting film filled with twists and turns that leave the audience terrified without ever utilizing a single clichà © jump-scare. The audience is constantly in a state of dread and fear along with the protagonist. One of the final scenes in the movie shows the protagonist walking into her basement to feed the monster that she keeps down there. The scene is a unique ending that is not commonly seen in horror films. It revolves around implicit meaning and the interesting point-of-view editing. Without the implicit meaning of the film and the point-of-view editing in this scene, the emotional impact of the film would have been much weaker. The scene begins with the protagonist, Amelia, standing at the entrance to the basement with Sam. She instructs her son to go outside and play, while she enters the basement. The audience sees Amelia slowly walk down the stairs with a bowl full of worms in her hands. It leaves the viewer a bit confused the first time they watch the film due to the unusual nature of the act. She sets the bowl down on the ground and the camera takes on the viewpoint of the Babadook as he comes roaring out of his hiding spot. The protagonist soothes the monster before returning upstairs to her son and her normal life. The scene provides an excellent representation of implicit meaning and point-of-view editing. The implicit meaning of the film is seen throughout the movie, but during the viewer’s first watch through it isn’t obvious and may notShow MoreRelatedGrief, Loss, And Loss1329 Words   |  6 Pagesimportant things humans must learn. While there are many approaches, Jennifer Kent uses her film The Babadook to suggest that suppression is not a healthy way to deal with grief. By thoughtfully planning the mise-en-scene, soundtrack, and narrative storytelling, Kent teaches viewers that suppression causes the inner monster to come out in all of us, just as it did to Amelia in The Babadook. In The Babadook, suppression of grief is at the root of all of Amelia’s personal problems. Suppressing her griefRead MoreFreudian And Lacanian Psychoanalysis, By Barbara Creed1395 Words   |  6 Pagesconjunction of psychoanalysis and film theory, scholars use this theory for textual analysis and different elements like the monstrous-feminine, mirror stage identification, and the Oedipus complex are concluded and developed. To reexamine the mother-child relationship, I will argue that these key elements of psychoanalytic film theory are useful to understand the psychic activities of protagonists of Black Swan and The Babadook. Additionally, they provide some evidence to explain the mode of how a mother